Raoul DUFY (1877–1953), July 14 Parade, 1965

Color lithograph, Arjomari vellum paper; 9 x 46 cm within a passe-partout measuring
23 x 61 cm; inscribed and signed at the bottom “Marcelle Raoul Dufy 1946”
Dufy created this composition for his friend Marcelle Oury.
Marcelle OURY (1894–1980)—journalist and art critic, a friend of Dufy’s.
The lithograph is from a portfolio published by Libraire Académique Perrin in Paris titled “Homage to
Raoul Dufy,” and produced by Atelier Mourlot.
Dufy was fascinated by public scenes, celebrations, the social life of the elite, as well as life in
ports and at sea.
Dufy’s paintings always radiate light and joy. Even formal scenes are
depicted with a certain lightheartedness and optimism. His works are dominated by bright,
rich colors—the blue of the sky and sea, the white of the sails, the red and gold of the flags. Dufy was a master of
line. The outlines of figures, ships, and details are drawn quickly and confidently, yet with lightness. The line
often does not perfectly enclose the form, and the color may “bleed” beyond it, creating an impression
spontaneity and dynamism. Dufy used to say this about painting: “The viewer, as soon as he stands before
a painting, opens their mouth before they even open their eyes.”