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LICITAȚIA 390 I – CUPRUM. O COLECȚIE IMPORTANTĂ DE OBJECTE ANTICE DIN BRONZ DE DIMENSIUNI REDUSE; LICITAȚIA 390 II – GRAND TOUR. OBJECTE DIN BRONZ, SCULPTURI ȘI TABLOURI ÎN STIL NEOCLASIC Restul
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- Goddess of Fortune. Antonio Susini (Florence, 1558-1624). Attributed. From a lost model by Giambologna. Florence, 17th century. Mercury-gilt bronze.
- Venus Bathing. Giambologna (Douai 1529 - Florence 1608). From a model. Patinated bronze, possibly 17th century.
- Satyr holding a candle. Severo Calzetta da Ravenna (Ravenna 1465-1543). School of the 17th century, patinated bronze.
- Hermaphrodite. Giovan Francesco Susini (Florence 1585-1653) School of. Possibly 17th century. Brass alloy with impurities (see related alloy tests)
- Fowler. Antonio Susini (1558-1624) School of. From a model by Giambologna, possibly 17th century. Brass with impurities (see attached examinations) Brown patina
- Venus Anadyomene. Tuscany, 16th-17th century. Bronze and transparent reddish patina.
- Four Continents. France, 17th-18th century. Silvered bronze.
- Allegory. Tuscan or French school, probably 17th-18th century. Bronze with a transparent greenish patina on a black background.
- Astrological sign of Aquarius. Padua or Venice, 16th-17th century. Traces of dark artificial patina, large areas of transparent natural patina.
- Mermaid. Barthelemy Prieur (Berzieux, 1536 - Paris, 1611) Attributed to the workshop, 16th-17th century. Bronze with a transparent reddish-gold patina and traces of dark patina.
- A candlestick depicting a Harpy. Northern Europe, 12th-13th century. Bronze with a transparent gold patina over traces of black patina.
- Amphora supported by Nereids (wedding vase?). Venetian art, 16th-17th century. Bronze with a transparent reddish patina over black traces.
- Caesar in lorica. Venetian art? 16th-17th century. Patinated bronze. Non-contemporary wooden base.
- Maria dé Medici. Barthelemy Prieur (Berzieux, 1536- Paris, 1611) Attributed. 16th-17th century. Bronze with a transparent reddish patina.
- Candlestick with satyr and tritons. Severo Calzetta da Ravenna (Ravenna, 1465-1543). Workshop of the 16th-17th century. Bronze, transparent gilded patina with traces of black patina.
- River God. Pietro Tacca (Carrara, 1577-Florence, 1640) Workshop. Bronze with a translucent reddish patina. Provenance: Christie's, Rome, November 24-25, 1987, lot 141. Private collection, Lombardy
- Writing box. Severo Calzetta da Ravenna (Ravenna, 1465-1543) Workshop. Bronze, transparent reddish-brown patina, traces of black patina. Defects on the hinges.
- Pair of historiated candlesticks. Padua or Venice, 16th-17th century. Translucent black and brown patina.
- Cupid. Barthelemy Prieur (1535-1611) School of. Probably 17th century. Bronze with a transparent reddish patina, traces of black artificial patina.
- Inkwell supported by lions or a container for liturgical use. 16th-17th century. Patinated bronze with traces of gilding, onyx.
- Rampant Horse. Francesco Fanelli (Florence, 1577-Paris? 1663) School of. 17th-18th century. Bronze with a transparent reddish-brown patina over traces of dark patina.
- Satyr with child. Severo Calzetta da Ravenna (Ravenna, ca. 1465-1543). Workshop of the 16th-17th century. Bronze with a transparent reddish patina over traces of black patina.
- Minerva. Tiziano Aspetti, Workshop. 16th-17th century. Bronze with transparent gilded patina.
- Living Christ. Ferdinando Tacca (Florence 1619-1686) School of. Probably 17th century. Bronze with transparent brown patina, traces of black patina.
- Christ at the Column. Tuscan School? 17th-18th century. Bronze with brown patina.
- Venus Removing a Thorn from Her Foot. Barthelemy Prieur (Berzieux, 1536-Paris 1611). Bronze, translucent reddish patina, traces of darker patination. Beautiful neoclassical mount in mixed marble and gilded bronze.
- Hercules and Antaeus. Galeazzo Mondella, known as Moderno (Verona, 1464- Rome, 1528). Plaque.
- Venus. Giambologna (Douai, 1529-Florence, 1608). From the model of Florence, probably 17th century. Patinated bronze with greenish traces. Jasper base.
- Bacchic Man. Adriaen de Vries (The Hague, 1556-Prague, 1626). From a 16th-17th century model? Accompanied by alloy studies.
- Woman Bathing. Giambologna (Douai, 1529-Florence, 1608) from a model. 17th-18th century. Patinated bronze, worn.
- Pair of candlesticks. Niccolò Roccatagliata (1560 - 1636) School of. 16th-17th century. Bronze, black patina.
- Kneeling Nymph. Giambologna (Douai 1529, Florence 1608). From the model of. Possibly 17th-18th century. Patinated bronze.
- Seated Venus. Barthelemy Prieur (1536-1611) Workshop of. Mercury-gilt bronze
- Bacchus with a Panther. Barthelemy Prieur (1536-1611). 17th century. Bronze with a transparent patina.
- Daphne. Abraham Jamnitzer, from the 17th-century original. Patinated bronze and Sciacca coral. Accompanied by a CITES certificate.
- Rampant lion. Florentine art, 16th-17th century. Bronze, transparent reddish patina. On a green marble base decorated with a high relief depicting the Rape of the Sabine Women.
- Hercules and the Nemean Lion. Florentine art, 16th-17th century. Patinated bronze, splendid transparent reddish patina.
- Risen Christ. Florentine art, 16th-17th century. Patinated bronze.
- Kneeling Venus. After Giambologna. Tuscany, 17th-18th century. Reddish-black patinated bronze mounted on an antique mixed marble base.
- Composite lamp. Venetian art, 17th century. Bronze with bituminous patina.
- Christ, Living and Naked. Francesco Mochi (Montevarchi, 1580-Rome 1654). Attributed. 17th century. Patinated bronze.
- Rampant Horse. Francesco Fanelli (Florence, 1577-Paris? 1663). 17th-18th century. Bronze with a transparent reddish patina.
- Cupid riding a dolphin. Francesco Fanelli (Florence, 1577-Paris?, 1663) School of. Probably 17th century. Bronze, natural transparent brown patina over artificial black patina.
- Nereid with a clam. Silvered bronze, Nuremberg? Probably 16th-17th century
- Pair of putti. Niccolò Roccatagliata (1560 - 1636) School of. 17th century. Bronze with a transparent reddish patina over traces of black patina.
- Satyr and nymph, Venetian art, 17th century, Bronze with black bituminous patina
- Walking Horse, Giambologna (Douai, 1529-Florence, 1608) Workshop of. Bronze, transparent red lacquer.
- Lion and Gazelle. Barthelemy Prieur (Berzieux, c. 1536-1611), Workshop. 17th century. Bronze with reddish patina over traces of black patina.
- Hercules. Francesco Segala (Padua, ca. 1535-1592). Area of Padua, 16th-17th century. Lead with traces of gilding.
- Harpy inkwell. Gilded bronze. Neoclassical period. 18th-19th century. Grand Tour.
- Goddess of Fortune. Grand Tour period, 18th-19th century. Black patinated bronze.
- Venus Callipygia. From an archaeological model. 18th-19th century. Black patinated bronze. Slight signs of wear.
- Pair of Empire candlesticks. Gilded bronze. First half of the 19th century. Slight chipping on the marble base.
- Dancing Satyr. Based on the model by Massimiliano Soldani Benzi (Montevarchi, 1656-1740). From an antique, 18th-19th century. Bronze with a hazelnut patina.
- Apollo and Daphne. Based on a model by Gianlorenzo Bernini (Naples, 1589-Rome, 1680). Bronze with a transparent hazelnut patina, 19th century. French foundry mark.
- David. From the model by Verrocchio. Tuscan foundry. Black patinated bronze. 19th century.
- Flying Mercury. From the model by Giambologna (Douai, 1529-Florence, 1608). 18th-19th century. Bronze with a transparent gilded patina.
- Venus with a Shell. From an archaeological motif. Patinated bronze, 19th century.
- Laocoon. From the archaeological model. 19th century. Biscuit.
- Capriccio in the Roman Countryside. Signed David 1794 on the verso. Oil-painted paper on antique stretcher.
- Discus thrower. Biscuit. 19th century. Unidentified brand.
- Bathing Venus. Naples, Chiurazzi Foundry. 19th century. Bronze with archaeological patina.
- The King and Queen of Abyssinia. Patinated bronze. First half of the 19th century.
- Neptune. By Giambologna. 19th century. Black patinated bronze.
- Medici Lion. Patinated bronze with transparent hazelnut lacquer. First half of the 19th century. Non-contemporary wooden base.
- Spiritello. From the model by Donatello. Anonymous foundry, 19th century. Bronze, transparent hazelnut patina.
- Venus Anadyomene. 18th-19th century. Patinated bronze with traces of gilding. Beautiful antique base in mixed marbles.
- Narcissus at the Fountain. Pencil on paper. 18th century.
- Silenus. Chiurazzi Foundry, Naples, 19th century. Bronze with black patina.
- Venus of the Shoemaker. Chiurazzi Foundry, Attributed. Naples, 19th century. Bronze with archaeological patina. Contemporary round red marble base.
- Inkwell with panoplies. Early 19th century. Black patinated bronze.
- Drunken Satyr. From an archaeological motif. Black patinated bronze. Naples, 18th-19th century.
- Pair of candlesticks with cherubs. Gilded bronze with black patination. Early 19th century.
- Rape of the Sabine Women. After Giambologna. Neoclassical period. 18th-19th century. Black patinated bronze.
- Vestal Virgin. Based on the model by Antonio Canova (1757-1822). Early 19th century. Statuary marble.
- Bacchus. 18th-19th century. Black bituminous patina.
- Jupiter. From an archaeological model. Black patinated bronze. 19th century.
- Knife grinder. E. De Labroue (active in Paris, 1850-1880). Bronze with transparent hazelnut patina.
- Modesty. From an archaeological model. Biscuit, 19th century. Crowned N brand.
- The Tivoli Falls. Tempera on cardboard. 19th century.
- Mercury. Based on Giambologna's model. 18th-19th century. Patinated bronze. Original bronze and marble base.
- Antinous. Silver-plated metal. 19th century.
- Euterpe. Black patinated bronze, 19th century.
- Two caricature portraits. Pastel on paper. France, 18th century.
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